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Sieveprint

The post print is the customary screenprinting procedure. Here we are able to put 18 colours into practice, for one print run, at the same time. The colour is thereby applied directly to the textile using a squeegee and the screen (prepared above). Printing onto coloured textiles was a problem for many years, in the meantime it has become standard. To realise an excelsior and top-dressed print colour on a coloured substrate the theme is underlaid in white. This underlaying, just like the films, must be created at the beginning of the process. The complete print theme is underlaid in white, even where a white print is to follow.The only exception being black. It is important, that the underlying film is 1/10 mm smaller, so that no streaks are incurred in the print process. The underlaying is printed first, and following an in-between drying period the other colours can follow. A further print procedure is the colour set also known as 4-colour screen printing. With the help of this print procedure, images can be realised by overprinting the colours: cyan, magenta, yellow and black. The procedure is comparable to the offset print procedure. The results are, however, different because we use natural fibres as substrates, and not plain offset paper. Thus, we are only able to work with up to a 24 screen size. However, the print can be well sported. 

Something to bear in mind is, that the above described colour set can only be implemented on light coloured textiles (white, natural and light grey). The transformation of an image theme onto a dark background demonstrates a completely new challenge, and requires a different type of printing realisation. This is called a separation print. With the help of special software the to be printed image theme is converted into real colours. The individual colours are printed separately, and ultimately colour for colour. This procedure can be implemented for up to 13 colours.

Transferprint

The transfer printing is a screen/offset printing technique with the only difference that the print is done onto a transfer paper instead of placing it directly on the textile. When heat and pressure are applied to this transfer paper the inks are transferred onto the surface of the textile.

Flocking

Flocking is an electronic technique of printing. This technique can also be used for small orders which include serial numbers or names to an affordable price. The flocking technique combines the flock with an adhesive emulsion and uses an electric field to attract the flocks into the fabric. The result is a velour texture with a high covering quality.

Digitalprint

This new technique transfers the image to be printed directly from a computer into a printing machine. With dazzling results: Absolutely authentic colour reproduction and highest image quality (resolution up to 720 dpi). Pleasantly soft feel of the printed area and washability up to 30 deg C.
There is no exception to the photographic images that can be printed. Medium and small numbers and even one-offs or personalised textiles are no problem. It is even possible to adapt the size of the image to be printed to the respective standard size - easy. We can print almost any type of textiles. We only need your image and specification where to place it. Send us your image as a file on a data medium (please read instructions bottom right) - and leave the rest to us. It's that simple ! Follow-up orders ? No problem either. Please send prin data only as digital files. Pictures as EPS, PDF-, TIF-Files, saved in original-size (max. print size 30x40 cm) with a resolution of 300 dpi.

Embroidering

Before the stitch can be made, digitizing must take place. To do this we need a good template, like for example, a laser print-out, a film or even better a graphic file (e.g. jpg, tif, bmp). Your graphic template is then digitized. Thereby, the individual contours and surfaces are handled. The digitizing process requires that all the necessary data is specified, e.g. the type of stitch, the stitch length and stitch closeness, the specific colours and their order of stitching etc. This process is called digitizing. The subsequent quality of the embroidery is influenced in the digitizing phase. That is why the work calls for great expertise and many years experience. The finished programme is saved onto a 3 1/4" disk and can be employed for production at any time. The production takes place on state-of-the-art six-head machines, that can fully automatically produce designs in up to 12 colours. The threads are automatically cut and sewn up when there is a colour change in the programme. The machine immediately recognises when flaws appear. These flaws are removed and re-stitched in the same production step. The to be embroidered garments are reinforced with a fibrous web and hooped where the embroidery is to be carried out. This hoop is loaded into the machine. Now the ultimate embroidery process can begin. Once the design has completed sewing, the garment is taken off the machine, un-hooped, the fibrous web is carefully removed and the garments are inspected before being packaged and dispatched.